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    <lastmod>2020-09-22</lastmod>
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  <url>
    <loc>https://www.anthropologyofarchitecture.com/essays/intimate-divisions</loc>
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    <priority>0.5</priority>
    <lastmod>2020-09-22</lastmod>
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      <image:title>Essays - Intimate Divisions: The Maid’s Room in Revolutionary Portugal</image:title>
      <image:caption>Paulo Rocha, Os Verdes Anos, 01:27</image:caption>
    </image:image>
    <image:image>
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      <image:title>Essays - Intimate Divisions: The Maid’s Room in Revolutionary Portugal</image:title>
      <image:caption>Paulo Rocha, Os Verdes Anos, 32:52</image:caption>
    </image:image>
    <image:image>
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      <image:title>Essays - Intimate Divisions: The Maid’s Room in Revolutionary Portugal</image:title>
      <image:caption>Paulo Rocha, Os Verdes Anos, 37:38</image:caption>
    </image:image>
    <image:image>
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      <image:title>Essays - Intimate Divisions: The Maid’s Room in Revolutionary Portugal</image:title>
      <image:caption>Christmas celebrations, 1960s- Maria do Carmo and Maria do Ceu can be seen in uniform on the right. Rita explains that the maids would largely be standing, helping with various tasks such as playing with the children, cooking, serving the food, and washing up.</image:caption>
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    <image:image>
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      <image:title>Essays - Intimate Divisions: The Maid’s Room in Revolutionary Portugal</image:title>
      <image:caption>Rita’s sister, Christina, with one of her grandmother’s maids, early 1960s.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600785717267-9DOH3QO7QNHPPPN9PIES/figure+6.png</image:loc>
      <image:title>Essays - Intimate Divisions: The Maid’s Room in Revolutionary Portugal</image:title>
      <image:caption>Paulo Rocha, Os Verdes Anos, 1:12:50</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600785980587-VTEFCU963I7T6V7MIY1P/figure+7.png</image:loc>
      <image:title>Essays - Intimate Divisions: The Maid’s Room in Revolutionary Portugal</image:title>
      <image:caption>Floor plan of Francisco’s childhood home, based on own visits and descriptions of previous furniture arrangements. This is a typical apartment in central Lisbon, in the Avenidas Novas neighbourhood, built largely in the 1950s and 60s. Note that the maids’ room includes two beds, as Baba and Adilia, the two live-in workers, shared a room (other interviewees have cited the same arrangement).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600786329969-5L28RQPJYRQRKDEIM686/figure+11.png</image:loc>
      <image:title>Essays - Intimate Divisions: The Maid’s Room in Revolutionary Portugal</image:title>
      <image:caption>New Year Celebrations, Early 2000s- A changing time period. Francisco explains that Baba stayed with his mother until she died a few years back, but certain rules and boundaries loosened over time- here, she is pictured fully integrated into the family, surrounded by Francisco and his brother’s children and new families.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600785685569-7NHKZDWHY7EJIV35CFRW/figure+5.png</image:loc>
      <image:title>Essays - Intimate Divisions: The Maid’s Room in Revolutionary Portugal</image:title>
      <image:caption>Paulo Rocha, Os Verdes Anos, 17:24</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600785430604-AIOZ3UES7VSHIEL2GRH1/figure+3.png</image:loc>
      <image:title>Essays - Intimate Divisions: The Maid’s Room in Revolutionary Portugal</image:title>
      <image:caption>Paulo Rocha, Os Verdes Anos, 1:22:18</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600786436231-KWD3W57ESTKHU335S9ZT/figure+12.png</image:loc>
      <image:title>Essays - Intimate Divisions: The Maid’s Room in Revolutionary Portugal</image:title>
      <image:caption>Paulo Rocha, Os Verdes Anos, 1:22:45</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600786203828-7ONWAG9KD5KE9QPMZ3DL/figure+9.png</image:loc>
      <image:title>Essays - Intimate Divisions: The Maid’s Room in Revolutionary Portugal</image:title>
      <image:caption>Rita’s brother Vasco with Maria do Carmo, late 1960s.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.anthropologyofarchitecture.com/essays/2016/3/1/dubai-67m3t</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1599645821457-ZTLQURZZG59JSUQAF0IJ/Picture+2.png</image:loc>
      <image:title>Essays - Home Possessions: Part and Parcel of the Anthropocene</image:title>
      <image:caption>Figure 2: Cylinder seal from 2300 BC (Source: British Museum)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1599646139527-IZOR3J1V4BYJSVEGX8YU/Picture+4.png</image:loc>
      <image:title>Essays - Home Possessions: Part and Parcel of the Anthropocene</image:title>
      <image:caption>Figure 4: Junk drawer example (2017). ‘This photo submitted as part of student response depicts a typical collection of electronics stored out of the main household space (the basement in this case). The Wii (indicated by circle added by instructor) was the focus of an electronic life history’ (Source: McMullen, Zanotti and Cooper, 2019, p. 4).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1599645575819-VKNQZSECU2YKQ9DXCTLF/Picture+1.png</image:loc>
      <image:title>Essays - Home Possessions: Part and Parcel of the Anthropocene</image:title>
      <image:caption>Figure 1: The Old Testament Cosmos. (Source: Ralph V. Chamberlin, 1909)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1599646026467-2NL6N6AW61Z6Y3T1K4V1/Picture+3.png</image:loc>
      <image:title>Essays - Home Possessions: Part and Parcel of the Anthropocene</image:title>
      <image:caption>Figure 3: Results of Waterstones.com’s carbon emissions (Source: Website Carbon Calculator)</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.anthropologyofarchitecture.com/essays/2016/3/1/vernacular-politics-and-drill</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-09-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600789281580-8OGL92U1GNERM6GFPNTY/bandrill2.png</image:loc>
      <image:title>Essays - Vernacular politics and neighbourhood nationalism in London’s drill scene</image:title>
      <image:caption>Figure 1. Screenshot from Ban Drill Short Film - Krept &amp; Konan 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600789156763-GX8GZRCVJ14OO15DYUIK/bandrill1.png</image:loc>
      <image:title>Essays - Vernacular politics and neighbourhood nationalism in London’s drill scene</image:title>
      <image:caption>Figure 1. Screenshot from Ban Drill Short Film - Krept &amp; Konan 2019</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.anthropologyofarchitecture.com/journal</loc>
    <changefreq>daily</changefreq>
    <priority>1.0</priority>
    <lastmod>2025-02-03</lastmod>
    <image:image>
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      <image:title>Journal</image:title>
      <image:caption>Paulo Rocha, Os Verdes Anos, 37:38</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600770819011-A0DQL7X5MSU4YDASHV3Y/figure+7.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Floor plan of Francisco’s childhood home, based on own visits and descriptions of previous furniture arrangements. This is a typical apartment in central Lisbon, in the Avenidas Novas neighbourhood, built largely in the 1950s and 60s. Note that the maids’ room includes two beds, as Baba and Adilia, the two live-in workers, shared a room (other interviewees have cited the same arrangement).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600771115345-2BFZPNEOWWWP7Q6YCJ68/figure+10.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Christmas celebrations, 1960s- Maria do Carmo and Maria do Ceu can be seen in uniform on the right. Rita explains that the maids would largely be standing, helping with various tasks such as playing with the children, cooking, serving the food, and washing up.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600769869003-WIODW7K9SVTR5L7R4WIZ/figure+2.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Paulo Rocha, Os Verdes Anos, 32:52</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600770949079-KJ0II3A8PJ57KH2RV5SV/figure+8.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Rita’s sister, Christina, with one of her grandmother’s maids, early 1960s.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600771010353-LM99IIHHDHQ24AE2N111/figure+9.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Rita’s brother Vasco with Maria do Carmo, late 1960s</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600771158222-A9XODS47PEE7G3OSUQ9N/figure+11.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>New Year Celebrations, Early 2000s- A changing time period. Francisco explains that Baba stayed with his mother until she died a few years back, but certain rules and boundaries loosened over time- here, she is pictured fully integrated into the family, surrounded by Francisco and his brother’s children and new families</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600770405205-KJYCBWHGZGPRG6GSKKUZ/figure+5.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Paulo Rocha, Os Verdes Anos, 17:24</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600770441961-6AJ738CIU7CKEE1Z3PVR/figure+6.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Paulo Rocha, Os Verdes Anos, 1:12:50</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600771263567-QRI3ACRBX1X99RFVU68H/figure+12.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Paulo Rocha, Os Verdes Anos, 1:22:45</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600770215287-YSPZ5CMS8MKSTIV1TS7A/figure+3.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Paulo Rocha, Os Verdes Anos, 1:22:18</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600769857439-NEG303T175TZGM1N22GR/figure+1.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Paulo Rocha, Os Verdes Anos, 01:27</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600852579513-BYJWT31GNN4ZKZA3AKDR/bandrill1.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 1. Screenshot from Ban Drill Short Film - Krept &amp; Konan 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600852898933-C4QGL5W26GENCPZSMGW3/image-asset.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 2. Screenshot from Ban Drill Short Film - Krept &amp; Konan 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600934809836-X4PXVOZ8AG7YJQ76DL3Z/Figure+2.jpeg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 2: Mobilising a manually controlled garden light system into remote control</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600934425583-JJOXURNWLRH4H5LLA18H/Figure+1.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 1: Constant Nieuwenhuys’ ‘Erotic Space’ (1971)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600852963781-OWSJNJHRXAWZXSDTTP0F/Figure16_Sunila_IisaArvelin.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 16. The new bathroom of a two-room apartment of Honkala, the building of the workers. Alvar Aalto Sunila. 2010.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600851539694-TJ8CPZQC9T8XEEQQJG4Y/Figure4_Sunila_IisaArvelin.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 4. A view of Sunila, the residential area with differently formed white buildings surrounded by the pine trees. Visit Kotka-Hamina. 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600852797643-GH3VBIDP0602VE64M6VE/Figure12_Sunila_IisaArvelin.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 12. The circle of rubbish theory. The solid arrows picture the transfers that happen and the broken arrows the transfers that cannot happen because the change in value and time would be in contradiction. Thompson 2017, 4.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600852819804-IWRX52EJTKDKYIP3EWZ2/Figure13_Sunila_IisaArvelin.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 13. A detail from one of the Sunila’s buildings showcasing the modern forms typical to Alvar Aalto’s design. Visit Kotka-Hamina. 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600852981905-HA95THY3HZEJ3HB6X64C/Figure17_Sunila_IisaArvelin.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 17. The glass bricks revealing how one of the corners of the kitchen was utilised for building the shower. Alvar Aalto Sunila. 2010.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600852885947-EKXKTZAC9SUQI66BKPJK/Figure15_Sunila_IisaArvelin.jpeg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 15. One of the buildings designed for the factory workers of Kalso Veneer Mill in Vuohijärvi in the 1960s. Iisa Arvelin. May 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600851641378-UJI0MUK91PVJF8QY34QN/Figure8_Sunila_IisaArvelin.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 8. The Sunila Cellulose Factory in 1939. Alvar Aalto Sunila. 1939.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600851420689-V9IASNNMI42N1IY9EDXJ/Figure2_Sunila_IisaArvelin.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 2. The logo of Sunila. Alvar Aalto Sunila. 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600852753554-PYOLZH928T6RDIQ0QB5R/Figure10_Sunila_IisaArvelin.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 10. Pine trees surrounding the buildings of Sunila in a harmonious way. Visit Kotka-Hamina. 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600853014541-28NPYUO94IGDAT9ZGBYE/Figure18_Sunila_IisaArvelin.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 18. Runkola, the building of the workers, looking like a well maintained and durable building in 2010. Alvar Aalto Sunila 2010.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600851619210-7CLLM7Z62YGN7OM8MS88/image-asset.jpeg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 7. The Paimio Sanatorium in the 1930s. Alvar Aalto Säätiö. 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600852858189-MQPS3J5X9I3T3PXLQ1KV/Figure14_Sunila_IisaArvelin.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 14. The original floor plan of the apartments of Mäntylä and Honkala, the buildings of the workers. Alvar Aalto Sunila. 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600852773870-0WV8VQ0QB5CDDDNJFCST/Figure11_Sunila_IisaArvelin.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 11. Karhu and Päivölä, the terraced houses famous for their balconies. Alvar Aalto Sunila. 2010.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600853040484-F6ZQPW6IXME53QGV2264/Figure19_Sunila_IisaArvelin.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 19. (below) Karhu and Päivölä, the terraced houses with the balconies, looking like the glorious heritage of Alvar Aalto in the 2000s. Visit Kotka-Hamina 2020.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600851390001-IE92CI4BII2TUFA9E3O5/Figure1_Sunila_IisaArvelin.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 1. Kuusela, one of the buildings of Sunila, the residential area in Kotka. Alvar Aalto Sunila. 2010.</image:caption>
    </image:image>
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      <image:title>Journal</image:title>
      <image:caption>Figure 5. The map of Finland showing the location of Sunila with population of Finland, Helsinki, Kotka and Sunila in 2017 to give a perspective. Alvar Aalto Sunila. 2017.</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 3. A detail of Mäntylä, one of the buildings of Sunila. Alvar Aalto Sunila. 2010.</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 9. The plan of Sunila. Different buildings numbered as following: 1. The Sunila Cellulose Factory 2. Kantola, the house of the factory manager 3. Rantala, the terraced house of the engineers 4. Lämpökeskus, the building for heating 5. Mäkelä, the terraced house of the foremen 6. Sauna, the building for sauna and laundry 7. Mäntylä and Honkala, the buildings of the workers 8. EKA lämpökeskus, the building for heating 9. Harjula, Kivelä, Kontio, the building of the workers 10. Karhu and Päivölä, the terraced houses with the balconies 11. Puistola, the area for the detached houses 12. Kuusela, the building of the workers 13. Juurela and Runkola, the buildings of the workers 14. Pirtti, the building of the Sunila Sawmill Community Alvar Aalto Sunila. 2020</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Old Town Salemi. Source: VisitSicily.Info</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>‘Welcome to the Global Village’. Sign in Riace. Source: AFP</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Street of Belforte. Personal photograph. Spring 2019</image:caption>
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      <image:caption>A Mru man building a bamboo house structure</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>“Nature’s Own Farmers” (2020)</image:caption>
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      <image:caption>Khasi root bridges</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600880232340-YU22WV24HCW0PUM3QLNV/Hong+Kong+skyline.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>New York, Hong Kong, Dubai</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>A Mru bamboo house</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 2: John and Mable Ringling Museum of Art; an example of the contemporary use of ceramics [Boston Valley Terracotta, ca. 2018].</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 4: The Shipping House [Gasparian, ca. 2016]</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 5: SuperAdobe under construction [CalEarth, ca. 2020]</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 6: Porcelain tiles repaired in the style of Kintusgi [Doré, ca. 2016]</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600856729838-SGGT1M12CCF4XKW31V2L/Figure+1+Edited+.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 1: Tiles in the style of those described in vignette: Gingerbread Tiles [H&amp;E Smith, ca.2020]</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600856874966-EZ5ER9N497C1HPWV8WH3/Screenshot+2020-09-23+at+11.27.29+AM.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 3: Personal photos from Hand Held to Super Scale exhibition displaying innovative glazing and construction methods.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600858855876-DWPLZNQAD31ZZBI8KH85/figure2.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 2: Blueprint for a residential building in Dunaújváros, plans by main architect Tibor Weiner</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 1: Construction of panel buildings in Dunaújváros</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600859012941-KXMHUW3X4JPWR891SJ18/figure3.gif</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 3: A photo by Krisztina Fehérváry from 1997, with the caption “New middle class houses in a village 12 kms outside of Dunaújváros, featuring red tile roofs and rounded forms.”(2011:22)</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Image 3. Tactile paving in Seeing London’s Streets Differently, 2020</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Image 4. Deckles bikes in Seeing London’s Streets Differently, 2020</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600862749765-AUQTV2X8JEH5XUSWX1BA/Screen+Shot+2020-09-18+at+15.52.48.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Image 6. Modular by Le Corbusier in Ungar, 1997</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Image 5. Pavement that turns into flat road in Seeing London’s Streets Differently, 2020</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600862423425-XC2YRECL4UEKPUX6YQH1/1.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Image 1. Notes on Blindness, 2016</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600862444363-B40M79YNCDDR5T8D27NQ/2.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Image 2. Notes On Blindness, 2016</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600871912179-8LL4CW15LZM82BUG7D6B/shouji_variations.JPG</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Different possible variations of shōji to control views in the ‘Bosen’ tea room (Beita, 2013: 34)</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Sea wall at Hirota Bay in Rikuzentakata (Kyung-hoon, 2018)</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Wooden sliding doors and Shoji for ventilation in traditional Japanese teahouse, personal image</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Concrete opening in Japanese modern building, Tokyo, personal image</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Suizen-ji-joju garden recreating the Tokaido road sights, personal image</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Teshima Art Museum (Nishizawa and Sejima, 2012)</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Japan natural hazard risks (OCHA, 2007)</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Position of light and resident at different times of the day</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>José Watanabe, Japanese Garden</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Wooden textured concrete, Tokyo, personal image</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Traditional shōji (ソトとウチを柔らかにつなげる障⼦｜社⻑ブログ｜株式会社野村建設, 2018)</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Traditional pagodas (Tanabashi, 1960: 5)</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Fig. 5. Detail of weather-worn travertine relief.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600879326586-KI2W2U25AD0YSH3GXIZT/riga-016-20cm.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Fig. 9. Empty spaces in the photographs from the site of Lenin’s statue captured by Minna Henriksson.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600872790487-UFKWU3AKLB9RT48BAQY3/Freedom+monument%2C+Riga%2C+Latvia+by+Diego+Deslo.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Fig. 1. Freedom Monument, Riga, Latvia, photograph by Diego Delso.</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Fig. 4. The Guard of Honor soldiers</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600879144494-8L0CV1OFZ0SVBWF3FMBI/%D0%A1%D0%BD%D0%B8%D0%BC%D0%BE%D0%BA+%D1%8D%D0%BA%D1%80%D0%B0%D0%BD%D0%B0+2020-05-10+%D0%B2+21.06.26.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Fig.7. Photograph of the demolition by the unknown author.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600879253164-MGKSF9P3O3KYCZ3LPLQX/Picture+1.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Fig. 8. Lenin monument by Sergei Merkurov at the factory Sarkana Zvaigzne in Riga, mass-produced concrete replica, 1950. Reprinted from the album Padomju Latvija, Latgoizdat Publisher, 1950.</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Fig. 3. A closeup view of the figure of Freedom at the top of the obelisk</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600878533949-MW0TC3DM67ZA87MLYDBB/600px-Freedom_monument_Latvia_plan.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Fig. 2 Diagram of the Freedom Monument from above.</image:caption>
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    <image:image>
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      <image:title>Journal</image:title>
      <image:caption>Fig.6. Photograph of the demolition of Lenin’s statue by Gunārs Janaitis.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600879377973-1DPXT05EF1GK8VUC1ABO/lenin+monument.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Fig. 10. Fragment of the pedestal from Lenin’s statue by the user renatar from Livejournal &lt;https://renatar.livejournal.com/151789.htm &gt; accessed on 09/05/20.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600879437188-V3TGL1IN9BQVZ7C987IJ/DSCF3704-12cm.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Fig. 12. Graffiti in the area of Brivibas Bulvaris captured by Minna Henriksson.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600879403910-U9P9U8VO5BQQXHORHEKH/riga-013-20cm.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Fig. 11. Fragments of Lenin’s statue in the suburbs of Riga captured by Minna Henriksson.</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 1: The Old Testament Cosmos. (Source: Ralph V. Chamberlin, 1909)</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 2: Cylinder seal from 2300 BC (Source: British Museum)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600881375033-2NMF32E5OUV4C355BCTD/image-asset.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 4: Junk drawer example (2017). ‘This photo submitted as part of student response depicts a typical collection of electronics stored out of the main household space (the basement in this case). The Wii (indicated by circle added by instructor) was the focus of an electronic life history’ (Source: McMullen, Zanotti and Cooper, 2019, p. 4).</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 3: Results of Waterstones.com’s carbon emissions (Source: Website Carbon Calculator)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600882866052-1KTBQMSGOCX21RUQOPP9/helen.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Letter from the National Archives from 1948 (Brigadier and Lewis 1948)</image:caption>
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      <image:title>Journal</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600891744121-PZRI5Z4EZBLTWT40KFLP/Figure+6.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 6: Detail of facade with stair-like motifs. (Andreoli, 2015).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600891804060-6BEYX7COZA7X0E2PKBLL/Figure+7.1.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 7: Tiwcanacota motifs side by side with facade. (Navarrete).</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 1. Map of Bolivia. (Mallinson, 2017)</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 3: Section of a cholet. (Andreoli, 2015). Figure</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600891960560-WLUU5AU8ZRI0247Z5SRE/Figure+9.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 8, 9. Party Halls. (Andreoli, 2015).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600892475034-HDE4H3A06WR0GGDGKD93/Figure+15+Andreoli+2014.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 12-15. A selection of pictures of invitations to parties hosted in cholets. (Andreoli, 2014)</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 2: Distribution of the cholets along the main arteries of El Alto. (Andreoli, 2015)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600891708415-67720RBIZ3O1ERF9TVDV/Figure+5.1.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 5.1: Chacana or andean cross, the colors of which are also the basis of the whipala flag.</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 5: Aguayo cloths. (Anon)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600892166546-R359EV7TPUMYA1DD03L9/Figure+11.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 10, 11. Cholets erupting in the urban landscape of El Alto. 10: Valdez, 2015. 11: Andreoli, 2015.</image:caption>
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      <image:title>Journal</image:title>
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      <image:title>Journal</image:title>
      <image:caption>Figure 0: Neo-andean cholets. (Polisena, 2019)</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 4: Floor plan of a cholet. (Andreoli, 2015)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600891859311-RRCT3L4MJ990T9QP1OW8/Figure+7.2.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 7.A: Cholet under construction. (Granser, 2015).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600891985735-2I01E0452U1SP67BJ1YS/Figure+9.1.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 9.1. Party hall in use. (Polisena, 2019).</image:caption>
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      <image:title>Journal</image:title>
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      <image:title>Journal</image:title>
      <image:caption>Figure 1- Photograph of Whiteley's shops on Westbourne Grove, circa. 1886 Source: cemetryclub.wordpress.com</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 21 - Render of proposed redevelopment plan Source: architectsjournal.co.uk</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 14b - Map of Westfield London Shopping Centre Source: vilisonatuclan.com</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1601739871093-RCU9ASHP26ROAQQI55PG/Figure+2.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 2- Photograph documenting the funeral of William Whiteley, 1907, Source: intimesgoneby.wordpress.com</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 23- Cross Section of proposed Redevelopment of Whiteley's Source: homesandproperty.co.uk</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1601740440277-M5X52WB255R5I2HOV7T8/unnamed.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 8 - Photograph of Whiteley’s clock and signpost, Queensway, Source: John Pedler ipernity.com</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1601739933224-MLCXBCPIQP5A29Z28A3M/Figure+3.jpeg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 3 - Excerpt from newspaper covering the murder of William Whiteley in the Marlborough Express, Volume XLI, Issue 63, 15 March 1907, Page 6 Source: Paperspast.com</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1601740254028-X7AC7NVMCLWCNKJQ4DOZ/figure+10.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 7 - Westfield London Tourist Information Page, Source: uk.westfield.com</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1601740719281-9HLVQ7LD8I7EKC4TIILR/image-asset.jpeg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 12 - Summer and Winter, sculpted by Paul Gasq, 1911 Source: Robert Friedus from victorianweb.org</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1601740103663-8620ZEIMQSDP5EQFBMSG/Figure+5.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 5 - Photograph showing bomb damage of Whiteley's department store following bombing in 1940, circa. 1940, Source: blitzincidents.com</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1601741029429-2PZGDYWPGC1RDG0XJPUX/image-asset.jpeg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 14a - Map of Westfield London Shopping Centre Source: vilisonatuclan.com</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1601740564868-OFR5K7UFKVOBMFIGKNZZ/Figure+10+.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 10 - Photograph of exterior view of Whiteley's dome, Source: meyerbergman.com</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1601740177425-ZVHH5U0A9UEUPKEO2MDK/Figure+6.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 6- Photograph of Whiteley’s Shopping Centre, 2011, Source: Time Out</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 9 - Photograph of interior view of Whiteley's dome Source: Buildington.com</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1601740605553-IGA27G2C5N7MQ0O0MFUZ/Figure+11.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 11 - Photograph of Porchester Terrace entrance to Whiteley's, Source: meyerbergman.com</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1601739997564-9QYJQGDVZBP2KOC5PVHR/Figure+4.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 4- Digitised image of Whiteley's Department Store, circa. 1920, Source: Astonslondon.com</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 12 - Photograph of Queensway entrance to Whiteley's Source: Robert Friedus from victorianweb.org</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1601741169943-AYK1YDHN1U9JMQR6BGZS/image-asset.jpeg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 15 - Photograph of Westfield London Source: benoy.com</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1601741952847-LI2INYUFUNAG0Y59X4P0/image-asset.jpeg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Figure 13- Photograph of Staircase in Whiteley's, 2014, Source: Alina Polyak flickr.com</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600951532394-UMZCG77QGIBRX0OG7DB1/Image+3+-+The+Blacksmith%27s+Bothy.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Fig 3. Scottish cottage advertised as a traditional 100 years old blackhouse – an example of romanticised local culture</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600951643677-E5NUPFUVVFWZN7O78S08/Image+4+-+Food+Experience.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Fig 4. Food experience in Florence – cooking ‘like’ locals</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600950944905-OE0LN3QM1CMGMJ7V6BMN/image-asset.png</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Fig 1. Bélo – Airbnb’s universal symbol of belonging</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600951457322-Q7WZVE0PQJS00638NRW3/image-asset.jpeg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Fig 2. Hosts greeting guests – intimacy and authenticity</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Fig 2</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Fig 12 - Rare two-story building surrounded by concrete</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Fig 7 &amp; 8 - Collapsing/collapsed wooden gable roofs</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Fig 14 - Sarnagati Building (early 1930s) Art Deco (in Pink Jaipur Sandstone)</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Fig 11 - Weathering of Gizri stone</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600954670265-IUOU1KAU10FVX0W6DSJF/Fig_19.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Fig 19 - Variable rates of decay; symmetry is lost as one side is rebuilt taller in concrete</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Fig 15 - Meghraj Building (opposite Kanji Munji Building), once housed a Hindu hostel for travellers</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Fig 18 - Irregular new floors in concrete on stone buildings</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Fig 13 - Mendoza Building (Date Unknown) Anglo-Imperial Vernacular</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Fig 10 - Art Deco Building with missing top floor (in blue)</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Fig 1 Kanji Munji Building (1868) Anglo-Imperial Vernacular</image:caption>
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      <image:title>Journal</image:title>
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      <image:title>Journal</image:title>
      <image:caption>Fig 16 - Frieze depicting a Hindu deity from an interior room</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600953355543-O9JZ73AQBLX2Q60M1CFO/Fig+4.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Fig 4 - Image of interior via Dawn newspaper (Masood 2018)</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600953445855-JOHZCKJBK4EF67DPMC9F/Fig+5.JPG</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Fig 5 India Life Assurance [ILACo] Building (1892) Anglo-Imperial Vernacular</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600953946338-IIUIAU1OENDS9XVFT9PE/Fig_9.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Fig 9 - Abandoned building with Karachi Municipal</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1600953507348-UZZ1STNMYL2P7PP9XS2J/Fig_6.jpg</image:loc>
      <image:title>Journal</image:title>
      <image:caption>Fig 6 - Abandoned interior; potential to redevelop into studio space</image:caption>
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      <image:caption>Fig 3</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Fig 17 - Ownership displays: the use of paint to demarcate property</image:caption>
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      <image:caption>Figure 1. Squatter punks in their homes, France</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 2. Liebig34, Squat in Berlin, Germany.</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 2: Edward Burtynsky, Wan Zhou #4,Three Gorges Dam Project, Yangtze River, China, 2005</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 6: Feilden Fowles. 2019. Long Section Cut And Cross Section Cut Of The Weston.</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 1: Edward Burtynsky. Shipyard #21, Zhejiang province, China, 2005</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 5: Edward Burtynsky, Rock of Ages #15, E.L Smith Quarry, Barre, Vermont, USA, 1992.</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 7: Olsson, Mikael. 2019. The Weston, Yorkshire Sculpture Park.</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 4: Edward Burtynsky, Mines #22. Kennecott Copper Mine, Utah 1983.</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Figure 3: Edward Burtynsky Rock of Ages #7, E.L Smith Quarry, Barre, Vermont, USA, 1991.</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Fig. 1 Maruko-chan and her grandfather sitting around a kotatsu, feeling warm and fuzzy. Chibi Maruko-chan is a manga and anime series which started in 1986, the anime series originally run between August 1986 – June 1996, but received ongoing adaptations and spin offs and a second series which is suspended due to the Covid-19 pandemic</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>Fig. 2 Shin-chan and his parents using rock-paper-scissors to decide who will be the unlucky person to brace the cold and bring some drinks from the kitchen for everyone as no one is willing to get out from the kotatsu. They have just eaten some tangerines (a seasonal fruit in winter thought to be important in providing nutrition to getting through cold season) which the peels can be seen on the table. Crayon Shin-chan is a long-running manga and anime series which first started in 1990, and the series has aired in more than 45 countries in dubbed in 30 languages and is still ongoing.</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>(image 3) Tom Boellstorff’s Ethnographia Island. https://secondlife.com/destination/ethnographia-island</image:caption>
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      <image:caption>(image 1, screen grabbed 8 May 2020)</image:caption>
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      <image:title>Journal</image:title>
      <image:caption>(image 2) A Space for disability. Source: https://space.nss.org/disability-can-be-a-superpower-in-space/</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 5: Alppikatu 25 as a shelter and Housing First unit / Source: Adapted from Y-Foundation (2017)</image:caption>
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      <image:caption>Figure 6: Floorplan of Alppikatu as Housing First / Source: Y-Foundation (2017)</image:caption>
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      <image:caption>Figure 2: Long Term Homelessness in Finland / Source: Gray (2018)</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 1: Local authority rough sleeper estimates 2010–2019 (England) / Source: Centre for Social Justice, 2021</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig.3 Luke Hayes, Robin Hood Gardens, London, 2015. Digital Photography. Dimensions unknown. Image courtesy of Luke Hayes.</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig.2 Luke Hayes, Robin Hood Gardens, London, 2015. Digital Photography. Dimensions unknown. Dezeen Commission. Image courtesy of Luke Hayes.</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig.4 Screenshot of Instagram results when searching #robinhoodgardens. Image courtesy of Instagram.</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig.1 Luke Hayes, Robin Hood Gardens, London, 2015. Digital Photography. Dimensions unknown. Image courtesy of Luke Hayes.</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig.6 V&amp;A’s display of a Robin Hood Gardens maisonette flat at the Venice Architecture Biennale, 2018. Poured concrete, steel, glass, and wood panelling. 9m tall. Image courtesy of the Victoria and Albert Museum.</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig.7 An edited photograph outlining the section of Robin Hood Garden’s façade salvaged by the V&amp;A. Image courtesy of the Victoria and Albert Museum.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/0ee6d3f5-62e7-4d47-9da5-1fcebd7d033c/Ruby_Pic8.jpg</image:loc>
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      <image:caption>Fig.8 Placards held by protestors outside of the V&amp;A in London, reading ‘No housing for the people’ and ‘No art for the audience’, depicted in the section of Robin Hood Garden’s estate salvaged by the V&amp;A. Image courtesy of Stephen Pritchard.</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig.5 Jessie Brennan, The Scheme from A Fall of Ordinariness and Light, 2014. Graphite on paper (framed in aluminium), 57.5 x 71.5 cm. Commissioned for Progress by the Foundling Museum, 2014. Image courtesy of the Victoria and Albert Museum, 2016.</image:caption>
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      <image:caption>Figure 5: The Grenfell Tower Fire Aftermath (flickr.com).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/b6d0e138-5e50-4f58-86ba-1abea7268ab2/Scott_Pic6.jpg</image:loc>
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      <image:caption>Figure 6: Colectiv (Rotten Tomatoes).</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 4: Hillsborough Twenty-Year Anniversary Memorial Service (The Guardian).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/716f0441-01d2-4b7a-bbc9-f257e0831798/Scott_Pic3.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 3: New Orleans Social Housing Protest (The New York Times).</image:caption>
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      <image:caption>Figure 1: Hillsborough Disaster, Leppings Lane End (The Guardian).</image:caption>
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      <image:caption>Figure 2: Hurricane Katrina, Lower Ninth Ward (pbs.org).</image:caption>
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      <image:caption>Figure 1: The Exterior of the Uncensored Library</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Figure 3: The Labyrinth of Truth</image:caption>
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      <image:caption>Figures 4&amp;5: Viral Interactive Spaces in the Library</image:caption>
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      <image:caption>Figure 2: A hallway in the Uncensored Library</image:caption>
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      <image:caption>Coleman’s Seafood Temple [Image: Caroline Taylor]</image:caption>
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      <image:caption>Sandhaven Beach [Image: Caroline Taylor]</image:caption>
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      <image:caption>The Groyne [Image: Caroline Taylor]</image:caption>
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      <image:caption>Figure 1- Map c/o Google Maps; annotations and labels are authors own.</image:caption>
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      <image:caption>South Shields Sali [Image: Caroline Taylor]</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1c0fc3d8-6f26-4b38-b1ee-7a49ce3043eb/Caragh_Pic7.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/6a6e094d-3c82-4748-9c46-f792b72488d0/Caragh_Pic6.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 6: The colours and finishes of concrete available when you order a Camden Bench from Factory Furniture. [SOURCE]</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/a99a93f9-59dc-4170-b8e3-6b76f1604a6b/Caragh_Pic1.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 1: Sharp, concrete studs protrude from the pavement adjacent to a building’s entrance in London. Sights like this are commonplace in the city, and are designed to prevent sitting, loitering, sleeping, or urinating outside buildings. [SOURCE]</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 5: A sign at the entrance to Paternoster square in London during a series of planned protests by Occupy London, who were attempting to reclaim private land. Usually open to the public, the open space is actually owned by the Mitsubishi company, and patrons of the squares’ many bars and restaurants had to sign-in at private security checkpoints in order to gain access to the space. [SOURCE]</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 13: A screenshot of a Mozilla Hubs experience exploring conceptualisations of surveillance and marginality in London’s council estates, featuring a live rendition of” Europe is Lost” by Kae Tempest (Bleak Bleak Plane | Hubs by Mozilla)</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 2: A wall down an alleyway in London, modified by the addition of hard metal protrusions which render it impossible to sit on. Many walls in London have such adjustments to prevent sitting, gathering, and hanging around. [SOURCE]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1d6b251a-2cdf-4205-9bc7-cd3e1781b868/Caragh_Pic3.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 4: The Camden Bench [source?]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/4c705765-d9ea-49f4-8653-7826a2fc09a4/Caragh_Pic8.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figures 7&amp;8: Two photographs by Marc Wilson from his collection “The Last Stand”, which depicts abandoned concrete structures throughout the UK. [SOURCE]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/3eb2203d-0084-444d-b195-f21416eb7858/Caragh_Pic9.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 9: An artist’s impression of a Camden Bench as a mossy, forgotten heirloom of war, much like the subjects in the photography of Marc Wilson. [SOURCE]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/9b170088-4ca1-43b3-9fec-52ac0461b292/IMG_8890+2.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Volunteers for TiF interview residents and municipal employees in Rosengård, Malmö [Image credit: Rose Persson Esfandyari]</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/67846507-5ea8-4961-ad87-7cff114a7297/Picture4.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 3: Minseiiin arrive at the house. Note the red 'fire-watch' bucket outside of the house (Danely 2019: 222).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/0f1ab9ab-336d-4e61-bba2-4ce3f2665af9/Picture5.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 4: Letters overflowing in an unused letterbox (Danely 2019: 227)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/5e0c616f-8aff-4a4a-a42b-f52c234936c1/Picture6.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 5: Film poster for Jiko Bukken Kowai Madori. Text promotes its plot as a true story (Jiko Bukken Kowai Madori 2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/2ba94bfa-fa16-481b-a98d-033de605726e/Picture1.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 1: Neighbours gather to witness an ambulance arrive in the night (Danely 2019: 215).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/c69606fe-126b-4bc1-a21b-7c6f9d2fe184/Picture2.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 2: High walls often surround contemporary Japanese properties (Daniels: 2010: 55).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/7f539bcb-b543-470d-8212-d849f89e46a2/Picture2.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 2a: (NED, 2020) Section of aerial survey conducted to identify “encroachments” to be demolished along Gujjar Nullah.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/45bb937f-8ebf-4b04-b818-59e6ce9bbfbb/Picture11.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 9: (Faraz, 2021) Partially demolished house exposing the interior of a three storey house, including a beautifully tiled and fitted bathroom in the top-right.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/7b41fe27-66b4-4de6-82b5-5ddc770103cc/Picture4.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 3: (Faraz, 2021) House I.D. number and percentage painted on the side of a building by Karachi Metropolitan Corporation officials.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/bc8173bf-2948-4981-9485-3892c5be927b/Picture5.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 4: (Faraz, 2021) Construction bulldozer to be used in the demolitions parked near the Nullah in the morning. The claw is used to break down houses that residents refused to demolish themselves, often burying household goods in the rubble.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/771a763c-7d95-4fc7-a457-723a9265af81/Picture3.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 2b: (NED, 2020) Table laying out House I.D. numbers of structures identified through the survey and percentage to be demolished</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/52c8ebb7-867c-41d4-8635-4f197227f338/Picture8.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 6: (Faraz, 2021) Building bearing graffiti reading ‘This house is leased. World Bank explain yourself’ in Urdu (In black to the right of the door). Also visible are stay orders obtained from the Anti-Encroachment tribunal taped onto the wall to the left of the door.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/7f08080f-02e8-4971-bd36-af3b86092d2d/Picture10.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 8: (Faraz, 2021) Nullah choked with solid waste and rubble from demolitions while three people can be seen demolishing a building to salvage structural iron in the background.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/4d7bed88-4dbf-4686-9951-a7fb815fccd3/Picture9.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 7: (Faraz, 2021) Constitutive meeting of the Gujjar Nullah Mutassireen (Affectees) Committee.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/7d5719bc-a0c1-42b7-951e-890b01232011/Picture7.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 5: (Faraz, 2021) Nullah almost completely blocked by solid waste and rubble from the demolitions.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/ed7de6b8-d03a-44ed-825d-f0e8170ab1c6/Picture1.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 1: (Azam, 2021) Residents gather in protest as demolitions start around Gujjar Nullah.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/ea1ef416-a726-4eb5-bf73-81ff822fe61b/Screenshot+2022-02-06+144200.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>1. The Skip garden produce. Communal garden in London (2019) photo by Abi Aspen.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/cdb8567f-238f-4eec-982c-a49456e0d0b8/Screenshot+2022-02-06+144424.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>4. Dig for Victory poster. 1943. Google Images</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/2a2b232d-b24e-4043-bdd6-b580d2425f7a/Screenshot+2022-02-06+144508.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>6. Gardeners at work in urban community garden. The Concrete Garden, Possilpark, Glasgow. The List, online article.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/8b1ee121-62f3-4e96-be89-eecf6d716174/Screenshot+2022-02-06+144530.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>7. Women taking care of the garden at Isleworth Community Allotment. Image posted at Spacehive website</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/27e9a70a-270b-4768-927d-77434e0234c1/Screenshot+2022-02-06+145117.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>13. Greenery produced at indoor Urban Agriculture facility using artificial LED lights. Image: REUTERS/Abdel Hadi Ramah.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/97ae12d0-f771-4605-912d-5daff84cb845/Screenshot+2022-02-06+144254.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>3. Imaginary scene from a future city sustainable city. Image by The Borgen Project. Borgenp</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/e7146ef5-7c7c-4e88-99b9-7ec0af898881/Screenshot+2022-02-06+145054.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>12. Worker at an indoor Urban Agriculture warehouse powered by Climate Control Environment . Photo by Eriver Hijano.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/42e9f072-3f5c-41f6-afcf-081d0a70b0c0/Screenshot+2022-02-06+144554.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>8. Gardeners collecting produce at Streatham common community garden. Image by Incredible edible Lambeth website.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/4fabedaf-560b-4a7a-b235-59ef197ed73f/Screenshot+2022-02-06+144330.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>2. Imaginary city. Image from “What the future of cities could be if we applied the principles of resilience” Our future cities website.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/94072502-f3ea-4fbb-ac0e-7ef9913725b0/Screenshot+2022-02-06+144756.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>9. Saturday morning community growing session at Angell Town community garden. Image by the Brixton blog.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/a6bcb212-8fb1-4b03-86b2-cf1358a22e98/Screenshot+2022-02-06+144444.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>5. Dig for Victory educational pamphlet cover. 1940 Google Images</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/72dd8bea-9849-4050-9fa0-b2fbde41cf8e/Screenshot+2022-02-06+145030.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>11. Elderly Polish woman collects apple after protest of Polish farmers due to low prices paid by international markets. (2019) Google images</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/07d58be6-0a71-459e-9451-5b8eb97f6cf8/Screenshot+2022-02-06+144910.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>10. RHS (2019) How to get involved with your local community garden | Greening Great Britain | RHS. Youtube video.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/9f2c893b-8937-474b-9a29-ab474ba3207a/Shree+4.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 4. Boat ride at Akshardham Temple complex, Delhi. (Source: Swaminarayan Akshardham New Delhi)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/6428eb29-6686-4d30-9597-afbed1e958f0/Shree+2.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 2. Hall of Values at Akshardham Temple complex, Delhi. (Source: Swaminarayan Akshardham New Delhi)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/e6417c2d-9af2-45ea-a646-e90a83bf1857/Shree+1.jpeg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 1. Akshardham Temple complex in Delhi. (Source: delhimetrotimes.in, 2021)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/38dede4a-1273-4380-a294-061fc324a82c/Shree+3.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 3. IMAX show ‘Neelkanth Darshan’ at Akshardham Temple complex, Delhi. (Source: Swaminarayan Akshardham New Delhi)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/b02f3260-fd12-4b12-9b1e-b8d77d311968/NM+3.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 3: Old social housing yet to be demolished standing in front of a new development. Source: author, January 7, 2022.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1cb6b2c2-4d3b-4feb-bd69-75a2b1653991/NM+2.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 2: (right) Demolition site on 11th July 2015 where the demolition of flats is extremely quick and disruptive, completed without scaffolding. Source: author</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/9b2d659a-fff2-43e4-854b-a406a09b8dc5/NM+4.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 4: Detail of newly-built block of flats characterised by glass and steel finish, protruding balconies, as well as an underground car park. Source: author, on January 7, 2022.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/6c7ab58a-fbfe-4d08-99ac-4945d1b34015/NM+6.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 6: The WDCO which is housed beneath a block of social housing on Seven Sisters Road. Source: author January 7, 2022.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/90dee85b-0c54-462f-b48b-dd38491e7d92/NM+1.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 1: A less disruptive demolition site scaffolding in 2021. Source: author</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/50a6726e-78df-48d8-a267-1dcc5585f251/NM+5.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 5: Detail of social housing characterised by its brick facade, recessed balconies, and sitting above a commercial gym. Source: author, January 7, 2022.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/60642657-8e76-48c7-9859-a4ece44d75f5/NM7.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 7: New cafe on the banks of the East reservoir. Source: author, January 7, 2022.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/9360b7a8-48c0-4891-bcc8-d73b92c85ab7/AD1.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>(Fig.1) Matrix, 2021, Entry to ‘How We Live Now: Reimagining Spaces with Matrix Feminist Design Co-operative’ Barbican Centre, London. Photo Credit: Author.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/51f7f435-7d8b-4327-b41d-8efcaac4a4dc/AD4.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>(Fig.4) Matrix, 2021, Exposed Weight at ‘How We Live Now: Reimagining Spaces with Matrix Feminist Design Co-operative’ Barbican Centre, London. Photo Credit: Author.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/5ab60ad6-e3b0-40d6-8877-f583fe07fd28/AD2%5C.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>(Fig.2) Matrix, 2021, Wooden Model of Dalston Children’s Centre at ‘How We Live Now: Reimagining Spaces with Matrix Feminist Design Co-operative’ Barbican Centre, London. Photo Credit: Author.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/973791f9-4f30-4759-89d1-5b384dd9a3b0/AD3.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>(Fig.3) Matrix, 2021, Video Installation at ‘How We Live Now: Reimagining Spaces with Matrix Feminist Design Co-operative’ Barbican Centre, London. Photo Credit: Author.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/78397eee-b397-4596-9d9a-8c1793241d0e/CP5.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig 5 Source: author (2021). Image of toilet area facing door to stairway, mezzanine floor, UCL Student Centre.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/91c2912c-f87e-4f5d-814c-71dd8837d70d/CP8.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig 8 Source: author (2021). Image of corridor of cubicles in women's toilet, basement, Wilkins Building.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/5cc7e209-6874-4534-b8c9-8abdbbdfa2aa/CP10.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig 10 Source: author (2021). Image of inside cubicle in toilet, mezzanine floor, UCL Student Centre.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/e19ae027-77ab-4e10-8aec-ae49391b2338/CP9.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig 9 Source: author (2021). Image of inside cubicle in toilet, third floor, UCL Mathematics department building.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/50177765-a1fb-4e06-af84-e66dbe453b3a/CP11.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig 11 Source: author (2021). Image from inside closed door of toilet cubicle in women's toilet, in front of Jeremy Bentham Room, Wilkins Building.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/37f09aae-3204-4b2b-bb55-3d70d240bb3f/CP4.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig 4 Source: author (2021). Image of toilet area outside stalls, mezzanine floor, UCL Student Centre.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/17d1a6e0-a52d-4705-99ea-ff4f878cba06/CP7.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig 7 Source: author (2021). Image of open sink area in women’s toilet, basement, Wilkins Building.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/2011d0ae-93aa-4a8b-aae8-96f0c7d41e29/CP3.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig 3 Source: author (2021). Image of toilet area facing door to main area, mezzanine floor, UCL Student Centre.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/57ba11fe-edc0-428a-a15d-6bf62221cc01/CP6.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig 6 Source: author (2021). Image of floor plan with toilet area on each floor marked with circle, ground floor, UCL Student Centre.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/8d92d713-1991-42ea-8c61-6831259e8138/CP1.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig 1 Source: author (2021). Image of inside cubicle in women's toilet, basement, UCL Anthropology department building.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/6800c27e-4d4e-4685-ae54-769421bbe183/CP2.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig 2 Source: author (2021). image of open sink area in women's toilet, basement, UCL Anthropology department building.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656346199716-SLHECN1S3YZJ5RO9IPY3/Picture+6.jpg</image:loc>
      <image:title>Journal - Figure 11. Closed ticket office inside Prudnik station waiting room. Source: Daria Duda, 2022.</image:title>
      <image:caption />
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656346215047-PUDJMBNLRWPGX7ZXQLSF/Picture+7.jpg</image:loc>
      <image:title>Journal - Figure 12. Closed window of luggage storage. Source: Daria Duda, 2022.</image:title>
      <image:caption />
    </image:image>
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      <image:title>Journal - Figure 13. Old banner saying ‘Społem’ - no longer operating co-operative of local grocery shops. Source: Daria Duda, 2022.</image:title>
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      <image:title>Journal - Figure 14. Sunlight streaming through the windows of the empty waiting room at the Prudnik station. Source: Daria Duda, 2022.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656348054263-DIPEIVZRFYV6EY5ET4CK/Picture+17.jpg</image:loc>
      <image:title>Journal - Figure 17. Departures board at the train station in Brzeg. Source: Daria Duda, 2022.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656348060425-RKEFV8Y2MFQN0GAZIXD9/Picture+18.jpg</image:loc>
      <image:title>Journal - Figure 18. Departures timetable at Prudnik train station. Source: Daria Duda, 2022.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656348066310-WJGD3EXWBAUI43YUB8M5/Picture+19.png</image:loc>
      <image:title>Journal - Figure 19. The map of regional railway connections in Opolskie voivodship, where Prudnik is located. Source: Daria Duda, 2012.</image:title>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 1. The regression of rail connections in Poland in the years 1988 - 2008. Source: Rosik et al., 2017, p. 116)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656344717176-1OC0R0RLS7JO00KJ1U4A/Picture+1.jpg</image:loc>
      <image:title>Journal - Figure 2. Store front in Prudnik, with a handmade sign saying ‘FOR RENT’ (WYNAJMĘ). Source: Daria Duda, 2022.</image:title>
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      <image:title>Journal - Figure 3. Broken chair and rubble on the property of now ruined textile factory Frotex in Prudnik. Source: Daria Duda, 2022.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656344869507-RWU6SOPXXHUVB94EESWV/Picture+3.jpg</image:loc>
      <image:title>Journal - Figure 4. A door to the office (biuro) at the abandoned Frotex factory. Source: Daria Duda, 2022.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656344921613-VQ4Y5QS6Y41CQHF56Y49/Picture+4.png</image:loc>
      <image:title>Journal - Figure 5. Historical photo of the Prudnik train station. Source: Author unknown, 1913.</image:title>
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      <image:title>Journal - Figure 7. Closed railway buildings with graffiti tags, in the immediate surroundings of Prudnik station. Source: Daria Duda, 2022.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656346725371-9BORFLD4UN8EYVJGO47B/Picture%2Bb.jpg</image:loc>
      <image:title>Journal - Figure 8. Bars in the window of Prudnik’s train station. Source: Daria Duda, 2022.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656346579890-2G9BVTFFRBRP06QQCH20/Picture+c.png</image:loc>
      <image:title>Journal - Figure 9. The newly modernized interior of Wrocław Główny train station. Source: Tomasz Hołod, 2012.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656346582938-Q50TXBRYTOLF5LP5UN4R/Picture+d.jpg</image:loc>
      <image:title>Journal - Figure 10. Front view of the closed down station building in Prudnik. Source: Daria Duda, 2022.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656347369139-M2GSP5I3DZ4NJ9EKKR8T/Picture+15.jpg</image:loc>
      <image:title>Journal - Figure 15. Passengers waiting for the train. Source: Daria Duda, 2022.</image:title>
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      <image:title>Journal - Figure 16. Train approaching Prudnik station. Source: Daria Duda, 2022.</image:title>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 20. The route was taken by me from Prudnik to Wrocław through Brzeg. Source: Google Maps, 2022. Available at: www.google.com/maps/place/Prudnik,+Polska/</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1657548760658-KTD9H3WPEZH7774P88DP/MD14.jpg</image:loc>
      <image:title>Journal - Fig. 13. Satellite view south-east Berlin (Google, n.d.)</image:title>
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      <image:title>Journal - Tempelhof mountain (Mila Berlin, n.d.)</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656358504668-4KXNK36VGLF6S5EEJZA6/MD15.jpg</image:loc>
      <image:title>Journal - Fig. 15. Tempelhof lake (Brosch, 2013)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656358511803-TTZ4SZ886L5B0224BETC/MD16.jpg</image:loc>
      <image:title>Journal - Fig. 16. Tempelhof lake (Brosch, 2013)</image:title>
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      <image:title>Journal - Fig. 1.</image:title>
      <image:caption>Tempelhof Airfield (source: Marie Detjen, 30/12/2021).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656356381338-MRFCLB5BJB8TELKU4FYE/MD2.jpg</image:loc>
      <image:title>Journal - Fig. 2.</image:title>
      <image:caption>The East entrance on Herrfurthstraße (source: Marie Detjen, 30/12/2021)..</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656356386777-LQTNI3QIZWQ71RR9MQ81/MD3.jpg</image:loc>
      <image:title>Journal - Fig. 3.</image:title>
      <image:caption>(source: Marie Detjen, 30/12/2021).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656356742132-CQ0G93G1EO82UOPD8QUJ/MD4.jpg</image:loc>
      <image:title>Journal - Fig. 4</image:title>
      <image:caption>(source: Marie Detjen, 30/12/2021).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656356399677-YPS0V3W25RPLQ2S5DQUF/MD5.jpg</image:loc>
      <image:title>Journal - Fig. 5.</image:title>
      <image:caption>(source: Marie Detjen, 30/12/2021).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656357010406-6PGJENL8JAA9TRH62M3C/MD6.jpg</image:loc>
      <image:title>Journal - Fig. 6.</image:title>
      <image:caption>(source: Marie Detjen, 30/12/2021).</image:caption>
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      <image:title>Journal - Fig. 7</image:title>
      <image:caption>(source: Marie Detjen, 30/12/2021).</image:caption>
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      <image:title>Journal - Fig. 8.</image:title>
      <image:caption>(source: Marie Detjen, 30/12/2021).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656356705892-INQNP8HBYFKJQV0NK93S/MD9.jpg</image:loc>
      <image:title>Journal - Fig. 9. The "Allmende Kontor” Community Garden on the Eastern fringe of the field</image:title>
      <image:caption>Allmende translates to Commons, Kontor is an antiquated word for office (source: Marie Detjen, 30/12/2021).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656357299334-ZWBR3G31KV2BNRCKJCQH/MD10.jpg</image:loc>
      <image:title>Journal - Fig. 10. : “2014 we saved the field, 2020 it saves us”</image:title>
      <image:caption>(source: Marie Detjen, 30/12/2021).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656356716582-E6PR2HT28KUF9B5DCU66/MD11.jpg</image:loc>
      <image:title>Journal - Fig. 11.</image:title>
      <image:caption>(source: Marie Detjen, 30/12/2021).</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656356721589-QUSGL58M73O0SPI2KJER/MD12.jpg</image:loc>
      <image:title>Journal - Fig. 12.</image:title>
      <image:caption>(source: Marie Detjen, 30/12/2021).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/0aafe4f0-5f2f-4028-8dea-e300234ebf62/LJ.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 1: Headlines across UK news platforms on segregated play sites and the detrimental effects caused. Google News (2022).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/f7f4f3e0-36fc-4f51-8cc4-18419b3ec463/Adela+1.gif</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 1: Contemporary hawari of Old Cairo. Source: Abdelmonem and Selim (2012)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/02ed0fd5-690f-421b-8d95-0e48c3694e06/adela+2.gif</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 2: Paths to reach female spaces in the Bayt al-Suhaimy. Source: Abdelmonem and Selim (2012)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/29442ab4-9c5b-4187-bed9-70d36b3ce0ba/adela+3.gif</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 3: Contemporary water fountain replacement. Source: Abdelmonem and Selim (2012)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/b0e0cfe8-0f1b-4d9f-90f8-92cbbcf6ec7b/Hawwa+3.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 3. Jaali</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656391935778-36KLOI4LQB4F9U6QE2B3/Hawwa+1.jpg</image:loc>
      <image:title>Journal - Figure 1. Afridi, N. (2020) Aurat (Women’s) March.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656391937885-5FFLD3UGMOROHJ1K4NY3/Hawwa+2.jpg</image:loc>
      <image:title>Journal - Figure 2. Afridi, N. (2020) Aurat (Women’s) March.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/4d54523a-dd90-4f8f-b0ec-98ebca54ad8a/Noor+1.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 1: Student accommodation (Source: author)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/75484c36-b2c2-4381-8ee0-d764cb97aa8f/Noor+2.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 2: Courtyard and gazebo in student accommodation (Source: author)</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/a61ed783-f142-4875-ab0b-2452f0936ff9/Joelle+3.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 2. Floor plan of a 4-room HDB (image from: Carousell, 2020)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/9d9c0267-cd2a-4d28-a80c-66f77aa845e0/Joelle+4.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 3. Floor plan of a Three-Generation HDB (image from: Property Guru, 2020).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1c98ec34-a85c-4df2-b853-aca68237c030/image.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 1. Floor plans documenting changes in HDB layouts from 1970s to 2020s (image from: Mungal et al., 2021).</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/9de7c0c2-4fba-43df-8990-f0da683427d9/Ibo+1.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 1. A street of Varosha, 2021. Photo by the author.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/0cf87b87-3632-4b4e-8887-c32aca996181/image-2.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 3 &amp; 4. Open doors and windows of apartments and houses in Varosha, 2021.  Photos by the author.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/5414ae42-d89a-4687-96f4-432b03b898c8/Ibo+5.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 5. A sign pointing us the directions with stanchions behind it as well as a ruined house. Photo by the author.</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 2. Two tourists cycling around Varosha, 2021. Photo by the author.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/94393fc6-7d9c-400e-b3d6-86d3a35d5aa5/RK6.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 2.3 Photographs of community members in the Manor Gardens allotments before the Olympic development, taken by Toby Glanville and displayed in the Tranquility exhibition at the Wellcome Gallery. Source: Wellcomecollection.org 2021.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/4304d2b2-f56b-4c18-a4dd-431397287dea/RK3.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 1.2 A doorstep garden in a block of flats. Bermondsey, South London.  Source: author 2021.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/84ec91c8-04a6-4c26-9892-7df5dc0e7d36/RK1.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 1.1 Overgrown residential gardens as a result of split-property rentals. Peckham, South London. Source: author 2021.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/8f2ab209-7353-444e-924f-535cba8979fc/RK7.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 2.4. Screenshot of a tweet posted by a campaign group opposing the demolition of Jocelyn Park, showing before and after photographs of the space. Peckham, South London. Source: @Peckham_Green on Twitter.com 2021.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/10f0805b-bfa0-4b8f-8188-c2f498eeb2d5/RK4.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 2.1 The Ferrier Estate depicted in a promotional film for the Kidbrooke Village regeneration scheme. Greenwich, South London. Source: Berkeley Group PLC 2013 cited in Preston 2016.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/770bd8d0-3a54-4cfa-aa15-94ddd3a6b77a/RK5.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 2.2 Plans for Kidbrooke Village. Greenwich, South London. Source: Berkeley Group PLC 2015 cited in Preston 2016.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/e6dd7b0c-81c6-461c-adf8-c668eb6d9b72/RK2.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 1.3 Sign prohibiting recreational use of green space. Lambeth, South London. Source: Dispossession: The Great Housing Swindle film 2017.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/36d14646-0345-4e1d-8cc5-971dd3f400c0/Charlotte+1.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 1. Floor plan of a kitchen in St Pancras Way halls, UCL</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656570588333-GK0J0VO2V1UD5RWFQ3V3/Charlotte+2.jpg</image:loc>
      <image:title>Journal - Figure 2. Overview of the kitchen</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656570592763-KW01D164RQ5JNWSKRRDQ/Charlotte+3.jpg</image:loc>
      <image:title>Journal - Figure 3. Remnants of a meal</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656570600257-LZSNPGS3GFBSK8DLR7WO/Charlotte+4.jpg</image:loc>
      <image:title>Journal - Figure 4. A selection of milk</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656570607192-XQAH48X1TFBZ2HFHI4KD/Charlotte+5.jpg</image:loc>
      <image:title>Journal - Figure 5. A complicated cooking device</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/fa83e816-0c48-4684-bfc5-b94c29e81219/Cherie+1.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 1. Abraham Cruzvillegas, Installation view of “The Autoconstruccion Suites”, Walker Art Center, Minneapolis.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656572586860-3Q7YKX24RJLOPHSSN23G/Cherie+3.png</image:loc>
      <image:title>Journal - Figure 3. Map of Pedregales de Coyoacán, Mexico City; Colonia Ajusco marked by star.</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656572588472-EUVP6ABKIP319ISMBADF/Cherie+4.jpg</image:loc>
      <image:title>Journal - Figure 4. Map of Mexico City with Coyoacán shaded and map of the district of Ajusco. Image in Autoconsstrucción (Cruzvillegas, 2008)</image:title>
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      <image:title>Journal - Figure 6. A house in Ajusco, photograph in Autoconstrucción (Cruzvillegas, 2008)</image:title>
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      <image:title>Journal - Figure 7. A house in Ajusco, photograph in Autoconstrucción (Cruzvillegas, 2008)</image:title>
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      <image:title>Journal - Figure 8. Ramp in the Cruzvillegas family house, still from Legacy (Sollins and Dowling, 2014).</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656573626341-S1OJ7RDSC9Z5C4Z3IBM2/Cherie+9.png</image:loc>
      <image:title>Journal - Figure 9. View out into garden and Rogelio’s tap, still from Legacy (Sollins and Dowling, 2014).</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656573629072-2CH6GKDRDDC2DK8NI8O4/Cherie+10.png</image:loc>
      <image:title>Journal - Figure 10. Bricks stained by toothpaste in the Cruzvillegas house, still from Legacy (Sollins and Dowling, 2014).</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1656573642622-I1LRGBMUSVX84PMTCYK4/Cherie+11.png</image:loc>
      <image:title>Journal - Figure 11. Rebar protruding from a wall of the Cruzvillegas family house, still from Legacy (Sollins and Dowling, 2014).</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/538e6578-4c72-4914-8977-3a5904144145/Cherie+5.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 5. Mercado de La Bola in Ajusco, photograph in Autoconsstrucción (Cruzvillegas, 2008)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/db431105-60b0-484b-ac3e-2b0507f3646a/Cherie+2.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 2. Cityscape of Ajusco, still from Autoconstrucción: The Film (Cruzvillegas, 2009).</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig. 6: The Singha Sattal shelter in the centre of Kathmandu Durbar Square. The Kasthmandap shelter is visible on the top right. (Source: Author, 2014)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/9e205f18-bbbb-492d-846b-f7e9050c861b/Picture1.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig 10: The destroyed 17th-century Maju Dega temple in Kathmandu Durbar Square. Its reconstruction formally started in 2018 and was completed in 2022. (Source: Author, 2018)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/b267a4d9-04f5-4e30-8951-cb374751a930/Picture1.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig 11: The 7th-century Kasthamandap pavilion showcasing its original design before the earthquake. (Source: Wonkier, 2008)</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig 7: Older, traditional houses surrounded by newer high-rise cement buildings and hazardous electric cables in Asan Bazaar, Kathmandu. (Source: Author, 2018)</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig. 2: Local people forming a parade for the Gai Jatra festival in Patan Durbar Square. (Source: Author, 2014)</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig 12: Kasthamndap going through reconstruction after it was completely destroyed during the earthquake. (Source: Author, 2018)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/51399e2d-16b8-4b9a-b18b-ed421e897a5e/Arati+Thapa+4+-+Details+of+the+palace+showcasing+its+materialities.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig 4: Close-up details of the door frames and window frames of the Patan Durbar Square depicting Newari motifs and Hindu gods. (Source: Author, 2014)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/cebb5976-b17e-4af3-a266-85514dbe3676/Picture7.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig 9: The contrast between the older, ‘kachi ghar’ and newer, ‘pakki ghar’.  (Source: Author, 2014)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/c1b5ed52-dd8c-4216-aee1-a17d481e1e68/Picture+2.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig 8: Neglected states of a traditional house next to a modern-style building. The addition of more stories on the older house can be visible in the picture. (Source: Author, 2014)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1c903bd3-47b7-4163-a468-468a3a4790cd/Picture+4.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig 3: The courtyard at Patan Durbar Square Museum shows the distinctive Newari architecture consisting mainly of mud bricks and wood. (Source: Author, 2014)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/2b4f9c10-0129-4591-aa0f-4453eff3ea5b/Picture1.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig 1: Patan Durbar Square featuring local people spending their leisure time in the temple complex. (Source: Author, 2014)</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Fig 13: Kasthmandap after its reconstruction was completed. (Source: Photowalk, 2024)</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 1: A photograph taken of a street on a Council Estate in Rochdale</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/c3247713-ae22-4106-ac35-aa2bd5290d2b/Picture1.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 3: A photograph of the signs seen across every field or grass area on the estates enforcing the 'no ball games' rule.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/74f4817a-66f3-4875-8637-820c6269e0e7/Picture1.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 2: A photograph of Woodvale Flats in Rochdale, a part of the wider estate known as Langley.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/a6255d09-3c20-4ed8-9c6a-a63241b61186/Picture2png.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 4: A photograph of the rundown community area on the Langley estate. When this picture was taken the gates had been locked to access the park, despite it being the Summer Holidays.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/0627dfec-3052-41fd-a5ad-8ac6e3fd80bf/PN1.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 1: Modern restaurant designs such as these are the oft-unnoticed aspects of the built environment that tacitly exclude fat folks from shared public spaces</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/c88cbe65-4534-43c4-b8d7-fe7b926e7c15/PN3.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 3: A comparison of business and first-class seats with economy seats that highlights the differential treatment towards passengers who avail seats in different flight classes. In contemporary times, fat people, in particular, are held responsible for “overburdening” airlines while utterly disregarding the harsh physical restrictions and dehumanisation they must endure while flying.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/1e14b11d-537f-429f-9ac2-1a2ba26db6b1/pn2.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 2: The rigid and hard flap chairs seen commonly in numerous university classrooms typically heighten a sense of un-belonging and physical discomfort for several fat students, thereby, drastically hampering their educational experiences</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/01ab0f82-9922-4a34-993c-fc12d1999771/JB10.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 10, FOLD’s main room, visible, left, is the elevated stand, as well as, the decks at the back. The club looks bare without its people. By Tagvenue.com</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/2bff4d75-6497-43af-95f0-cad17bc2e5f1/Picture4.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 6, Shows Seb Glover on the left and Lasha Jorjoliani right. Set in front of the iconic FOLD lockers. By adam_adam_adam.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/e798d31b-3515-44cd-9b5e-632c2d50133a/JB8.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 8: The view from FOLD’s smoking area, of Canning Town and Canary Wharf. By Martin Eito.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/9a55385d-b0ad-4e5b-a5e7-a811241ede30/JB11.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 11: Photo of FOLD’s shutters by Martin Eito.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/d62ce6e2-dcff-4d7c-b171-f012774ec773/JB3.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 3, a stage at Stone Techno Festival, by Keyi Magazine 2023.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/19aa01af-792f-4c8c-8063-6d4e6c3946b9/Picture1.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 9: The outline of faceless people in FOLD, by Rebecca Salvadori.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/58e86a79-0f54-43ba-8f74-51332cb550f7/JB1.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 1: A person visible on an elevated platform in a sea of people, by FOLD</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/06fe98fc-a2bf-4ff4-a14c-c4295121aca2/JB5.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 5, Marrøn’s 2023 set, by Stone Techno Festival ( https://www.youtube.com/watch?v=Aodcv2UPPaQ&amp;t=1380s )</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/9497e239-fe91-47ed-a82d-7c00d08971ee/Picture7.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 7: UNFOLD layout, with the decks placed in the centre of the club, by James Newmarch</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/a366864c-5710-4146-8605-e02deea5738a/JB4.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 4, a look at the industrial backdrop to the music festival, by Stone Techno Festival.</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 2: By Ad-locations, showing FOLD’s encaged smoking area</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/710dfc78-4a30-4f5e-a8a4-2b85350781e9/Picture1.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 12, Showing the queue outside UNFOLD during a bank holiday after a storm. Fold.ldn instagram 28 May.</image:caption>
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      <image:caption>Figure 1 – The Spire. Source: Birch (2024)</image:caption>
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      <image:title>Journal</image:title>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 4 -“What if we kissed” meme</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 2 – Naas Ball. Source: Brummel 2021</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/7ee5ec8d-a593-4457-9156-f09f7d78e67c/SB3.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 3 – “Wait, It’s All Naas” Meme. Source: Reddit (2020)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/39617da8-240b-48ee-b5ed-65692ca84ed5/SB5.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 6- Spire Twitter. Source: Twitter (2024</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/06009677-cdd0-4482-a57d-a48b6108a8db/SB6.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 5 - Spire Twitter. Source: Twitter (2024</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/f7887180-9844-4bb0-8d98-3cd876edb3ae/Fig+9.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 9: A screenshot of the homepage of the SPIRIT! website, an online exhibition of memories of residents in Somers Town. Source: SPIRIT! Somers Town, (n.d.)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/8e536f25-6cdc-4592-bb33-0d9b3d48ce6d/Fig+2.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 2: A destroyed building boarded up. Source: Photograph by author</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 7: The People’s Museum in Somers Town. Source: People’s Museum Somers Town (n.d.)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/ea528f9d-bb77-44ac-ad70-a1c2984b3433/Fig+8.jpg</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 8: The plan of the route of the ‘Heritage Trail’ through Somers Town. Source: Photograph by author</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/9e5cd7c2-b06b-4d66-b2c8-2f5a831a897d/fig+3.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 3: ‘Trees Not Towers’ poster used to protest the construction of 25-storey tower in Somers Town. Source: Somers Town Neighbourhood Forum, 2016</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figures 5 &amp; 6: Mural painting demanding for the preservation of the history of Somers Town, using art on the site of a destroyed building. Source: Photographs by author</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 4: ‘Trees Not Towers’ painted on boards of a destroyed building. Source: Photography by author</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 1: The map of London with a ‘Gold Belt’ that highlights the major growth circle into which Somers Town falls. Source: Foster, 2015</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 10: A screenshot of the description of the ‘Lost/found Somers Town’ website. Source: Lost/Found Somers Town (n.d.)</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 8: Diet of Worms by Anton Von Werner, a key event beginning the Protestant Reformation</image:caption>
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      <image:caption>Figure 9: Progress on floor restoration. Source: The cathedral’s monthly magazine for April</image:caption>
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      <image:caption>Figure 1: Inside the cathedral as mass finishes. Source: Photo by author</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 3: Medieval illustration from Folio 19 of Giuard des Moulin's Grande Bible Historial. Source: Taken from the Durham Castle and Cathedral website</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 4: Westminster cathedral builders, circa 1900. Source: https://westminstercathedral.org.uk/thecathedral/bentleys-vision-the-building-ofwestminster-cathedral/</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 5: La catedral de Justo. Source: https://catedraljustomensajeros.com/</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 11: Portrait of Elizabeth I by George Gower, instituted the Act of Uniformity</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 6: Westminster cathedral Lady chapel. Source: Photo by author</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 7: Blessed Sacrament chapel. Source: Photo by author</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 10: Holy Etchmiadzin. Source: https://armenianchurch.us/etchmiadzin/</image:caption>
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      <image:caption>Figure 2: Outside the cathedral as people leave. Source: Photo by author</image:caption>
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      <image:caption>Figure 5: The reception area of Huckletree, Soho. Source: Photo taken by the author</image:caption>
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      <image:caption>Figure 1: The exterior of Drop-In Clapton. Source: Photo taken by the author</image:caption>
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      <image:caption>Figure 8: The foyer of The Spaces, Farringdon. Source: Photo taken by the author</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 3: The interior furnishings of Drop-In Clapton. Source: Photo taken by the author</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 4: The exterior of Huckletree, Soho. Source: Photo taken by the author</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 7: The front door to The Spaces, Farringdon. Source: Photo taken by the author</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 6: The cafe area at Huckletree, Soho. Source: Photo taken by the author</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/c3610172-b7ee-43d1-8510-24f2ad9048ce/9.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 9: A breakout area at The Spaces, Farringdon. Source: Photo taken by the author</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 2: The exterior of Drop-In Clapton. Source: Photo taken by the author</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 3: Magic World, The Great Model of Miniature Chile (1983). Park visitors riding a train around the miniature Villarrica Volcano and Lake. Photograph taken by architect Jorge Swinburn in 1983. Source: Personal archive of Jorge Swinburn.</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 2: Magic World, The Great Model of Miniature Chile (1983). View: Cap Ducal Hotel, Miramar Towers, beach, and representation of the Esmeralda Training Ship. Photograph taken by architect Jorge Swinburn in 1983. Source: Personal archive of Jorge Swinburn.</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 4: Magic World in ruins (2021). View: miniature of the Villarrica Volcano. Source: Photograph taken by the author</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/d7147012-6c41-42aa-ae5c-375fa146b5c9/4.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 1: Magic World in ruins (2021). View: miniature of the Andes mountain range. Source: Photograph taken by the author</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 1: ’The Undercroft’ Skatepark in The Southbank, London. Source: Battye and Dezeen, 2019</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 3: ‘Long Live South Bank’ Campaign Poster. Source: Long Live Southbank, 2017</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/28f38f6f-ec62-46ca-b0a3-1b5994441327/digital+bluepirnt.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 2: A digital blueprint of ‘The Undercroft’. Source: Feilden Clegg Bradley Studios, 2019</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/f9ad1cff-a46c-4f45-9c98-6779dd958e3f/12.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 12: Fishing by a highway overpass. Source: Madeline Tolle. “Documenting Los Angeles’s Unlikely Urban Fishermen.” The New York Times, 31 January 2022. https://www.nytimes.com/2022/01/31/travel/urban-fishing-los-angeles.html</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 1: A street tree in Brixton, London ((London Street Tree 2020).</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 1 Cover image photographed by the author is September 2023. A view of the Berliner Dom and Fernsehturm from Lustgarten park.</image:caption>
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      <image:caption>Figure 3: View of the Brandenburg Tor from the Tiergarten. Photographed by the author in September 2023.</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 5 Schlesisches Tor station bridging over a treelined street in Kreuzberg. Photographed by the author in September 2023.</image:caption>
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      <image:caption>Figure 4 Kurfürstendamm with the Gedächtniskirche in the distance. Photographed by the author in September 2023.</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 2: Tempelhofer Feld. Photographed by the author in September 2023.</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 1: Aerial view of the Topographie des Terrors. Source: Wolfgang Chodan (2012)</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 3: Hanging information displays. Source: Uwe Bellm (n.d.)</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 2: Entrance to the Documentation Centre. Source: Bildwerk (2010)</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 10: Turkish Shops in Kreuzberg in 1983. Source: German Information Centre (2024).</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 19: Prenzlauer Berg today. Source: Berlin.de (2024).</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 17: Teuterekordz at Teutoburger Square, Prenzlauer Berg. Source: Helios37 (2022).</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 5: BHZ in front of a cornershop on Hauptstraße, Schöneberg. Source: Youtube (2021)..</image:caption>
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      <image:caption>Figure 18: Old buildings in Prenzlauer Berg mid 1990s. Source: Tip Berlin (2023).</image:caption>
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      <image:caption>Figure 9: Map of Kreuzberg’s location West and East Berlin. Source: Institute of European History (2004).</image:caption>
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      <image:caption>Figure 16: Map of Prenzlauer Berg’s location in Berlin. Source: Wikipedia.</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 11: Turkish linguistic landscape at a Kreuzberg housing estate (engl. “Kreuzberg Centre”). Source: Wikipedia (2024).</image:caption>
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      <image:caption>Figure 15: Public transport map of Kreuzberg in “Ms Jackson” video. Source: Youtube (2023).</image:caption>
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      <image:caption>Figure 3: BHZ in front of Apostel-Paulus Church in Schöneberg, Berlin. Source: Juice (2019).</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5efc8bebd631253a5a0f7263/0d4ec846-9bbb-4819-98f6-535e65529826/figure+2.png</image:loc>
      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 2: Picture featured on Berlin’s official website for Schöneberg. Source: Berlin.de (2024).</image:caption>
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      <image:caption>Figure 21: New real estate developments in Jablonskistraße, Prenzlauer Berg. Source. Gewobag (2024).</image:caption>
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      <image:caption>Figure 1: Map of Schöneberg’s location in Berlin. Source: Wikipedia (2024).</image:caption>
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      <image:caption>Figure 12: Transnational symbolism in Pashanim’s music video to “Ms Jackson”: “Free Palestine” shirt, “Saka” water tattoo and necklace. Source: Youtube (2023).</image:caption>
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      <image:caption>Figure 4: Seeing through the windows</image:caption>
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      <image:caption>Figure 3: A blocked unit window</image:caption>
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      <image:caption>Figure 1: Indicative floor plan of cattery space</image:caption>
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      <image:caption>Figure 5: Cats’ interactions through glass</image:caption>
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      <image:caption>Figure 2: Inner space of a cattery unit</image:caption>
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      <image:caption>Figure 2: Proposed Relocation Site, Source: City of London 2024</image:caption>
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      <image:caption>Figure 1: Billingsgate fish wholesale market being packed-up for the day. Source: author’s photograph Sept 23</image:caption>
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      <image:caption>Figure 2: Source: own elaboration, contains Ordnance Survey data © Crown copyright &amp; database</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 3: Areas predicted to be underwater on a regular basis by 2030. Source: Own elaboration based on Climate Change 2021: The Physical Science Basis. Contribution of Working Group I.  Courtesy of NASA.</image:caption>
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      <image:caption>Figure 14: A platform for musicians. Source: Joshua Payne (@jp_orchestra). Instagram, April 4, 2022. https://www.instagram.com/p/Cb7-MyiJRZ7/</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 12: Fishing by a highway overpass. Source: Madeline Tolle. “Documenting Los Angeles’s Unlikely Urban Fishermen.” The New York Times, 31 January 2022. https://www.nytimes.com/2022/01/31/travel/urban-fishing-los-angeles.html</image:caption>
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      <image:caption>Figure 1: The Los Angeles River. Source: Photograph by Adali Schell, as seen in Kimmelman 2022.</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Figure 3: Rendering of a habitat restoration proposal. Source: Wenk Associates, Civitas, Mia Lehrer + Associates. 2007. https://www.wenkla.com/projects/los-angeles-river-revitalization</image:caption>
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      <image:caption>Figure 2: The Los Angeles River at North Long Beach. Source: Photograph by Adali Schell, as seen in Kimmelman 2022.</image:caption>
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      <image:caption>Figure 13: A canvas for artists. Source: Photograph by Juan Devis, 1999. As seen in Guanuna, Lucy. 2015. “Getting Up, Staying Up: History of Graffiti in the L.A. River.” PBS SoCal. 17 September 2015. https://www.pbssocal.org/shows/earth-focus/getting-up-staying-up-history-of-graffiti-in-the-l-a-river</image:caption>
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      <image:caption>Figure 6: Image of Kwajo Tenaboa’s Tik Tok account which often documents the state of social housing conditions</image:caption>
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      <image:caption>Figure 2: shows the structure of Grenfell Tower and where the fire was reported</image:caption>
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      <image:caption>Figure 1: Image of the Grenfell Action Group blog which documented the neglect of the estate before the fire took place</image:caption>
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      <image:caption>Figure 3: shows how cladding can compromise the safety of the building and cause fires</image:caption>
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      <image:title>Journal - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:caption>Figure 4 and 5 : Images of the flat where Awaab Ishak lived included to show the severity of the state neglect</image:caption>
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